Vsevolod Pudovkin

 Vsevolod Pudovkin





Mother (1926)

The End of St. Petersberg (1927)

Storm Over Asia (1928)



RANKED:

3. Storm Over Asia (1928)


Vsevolod Pudovkin's "Storm Over Asia" deals with the political relationship between the British, Soviets, and Mongolians. When a direct descendant of Genghis Khan gets captured by British forces, they install him in a puppet government. Pudovkin utilizes his Soviet filmmaking style to instill in viewers anger or panic over the Western Capitalists becoming too influential in Eastern politics. Despite the film not being historically accurate and purely propaganda, it is still noted as continuing in the exceptionally well-crafted Soviet films fo the 1920s.




2. The End of St. Petersberg (1927)


Commissioned to commemorate the 10th anniversary of the Bolshevik Revolution, Vsevolod Pudovkin constructed a film that demonstrated the event from the perspective of individuals. Unlike Eisenstein's use of a collective as a protagonist, Pudovkin uses single individuals as a way to connect with viewers. With "The End of St. Petersberg," he demonstrates the common citizen's viewpoint of the end of tsarist rule. The titular St. Petersberg, which was once home to Russian tsarist power, toppled at the hands of the Bolsheviks.



1. Mother (1926)


Vsevolod Pudovkin's "Mother" continues the Soviet Montage theory that originated in Eisenstein's "Strike" and "Battleship Potemkin." Like these two films, "Mother" showcases events from the Russian Revolution almost two decades prior. Using the montage effect, Pudovkin provides immediate emotionality for the viewer as they root for both the worker's strike and the uprising against the Tsarist troops. Despite the demise of the characters, patriotism stems from their sacrifices. "Mother" was an attempt to keep the Socialists in power as it honored their fallen heroes of the past.


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