Record of a Tenement Gentleman (1947)

 Yasujiro Ozu's "Record of a Tenement Gentleman"


Review to come later

Comments

Post a Comment

Popular posts from this blog

Ivan's Childhood (1962)

Image
  Andrei Tarkovsky's "Ivan's Childhood" In watching " Ivan's Childhood ," I am able to finally begin the filmography of my all-time favorite filmmaker, Andrei Tarkovsky. It's clear that this is an amateur work from the great master, given that it's his debut feature. However, many of the styles and choices he will come to be known for creep up in " Ivan's Childhood ," and marks a dramatic shift in Soviet cinema. One of the key ways it marks a shift in Soviet cinema is Tarkovsky's concentration on nature. The Stalinist viewpoint that had indoctrinated itself into the nation's standards for cinema was that nature was to be depicted as a means to serve human agency. During the Khrushchev thaw at the time of the film's release, many filmmakers began to operate outside the scope of the previous regime's restrictions. Tarkovsky chose to depict nature as being an omniscient observer of human violence and suffering.  Remarka...
Read more

The Fire Within (1963)

Image
  Louis Malle's "The Fire Within" The first thing I noticed while watching Louis Malle's 1963 film " The Fire Within " was it's lack of music or soundtrack. Aesthetic choice perhaps. After all, Malle is an engineer of the Nouvelle Vague movement. It's safe to assume that some creative liberties were to be used. However, " The Fire Within " was far from the typical style that Nouvelle Vague had become known for. The film centers on Alain, a rehabilitating alcoholic who vows to kill himself by the end of the week. He is separated from his wife, Dorothy, who is living in New York, while he rehabilitates in a clinic. After leaving the clinic, he meets up with various former friends and associates. None of them are able to convince him that life is worth living, however. To entrench our character's story with the malaise of his own emptiness, Malle really makes the atmosphere as dry as possible. The story plods along without any kinetic ener...
Read more

Humanity and Paper Balloons (1937)

Image
  Sadao Yamanaka's "Humanity and Paper Balloons" In his very brief career, Japanese director Sadao Yamanaka only made 3 feature length films. All 3 made an enormous impact in Japanese culture and are still praised by the film community today. The final of the 3 films he made, 1937's " Humanity and Paper Balloons " is perhaps the very reason his life was cut short. At the time of the film's release, the Japanese government had already invaded China and was exponentially building its militia. They felt as though Yamanka's film damaged the nationalistic and militaristic viewpoint they were trying to instill in the country. Because they were so displeased with the 'message' of the film, they sent Yamanaka to the Chinese front, where he died a year later in 1938. The reason for this retribution by the Japanese government was because the film focuses on a group of characters who actively display the worst attributes of Japanese society. Yamanaka...
Read more