Women of the Night (1948)

 Kenji Mizoguchi's "Women of the Night"


It seem as though "Women of the Night" is regarded as one of Kenji Mizoguchi's lesser acclaimed films in his filmography. I have not made my way through the film after this one, but I certainly felt as though "Women of the Night" stands as his rawest and most straightforward films that has come out up until this point. Mizoguchi was impressed by the Italian neo-realist movement that was circulating in global cinema and "Women of the Night" was his best attempt at replicating that. 

The film centers on three women, two of them sisters, who descend into prostitution, all for various and individual reasons. It is a film that came out after the war and centers on the Japanese post-war landscape. Mizoguchi was known for his themes involving destitute women and their struggles within a society that oppresses and abandons them. 

Perhaps this is just a minor note, but I felt as though Mizoguchi is completely transforming his directional style with this film. Although it is not a stark difference, there are many scenes which feel like much more of a post-war visual lens. There are even certain scenes that have the stark realness of a neo-realist piece and even a tangibility to the image like something out of a New Wave film. 

Although it is not something to extravagantly write home about, I found "Women of the Night" to be the best Japanese film of its respective year. Despite coving a topic that was being covered by numerous filmmakers at the time in Japan, it felt like such a open wound of a broken society still reeling from the trauma and fallout of the recent war.



Comments

Post a Comment

Popular posts from this blog

Rio Bravo (1959)

Image
  Howard Hawks' "Rio Bravo" To conclude the filmography of Howard Hawks, I watched his 1959 western film " Rio Bravo ." I've got to say that I was expecting a lot more out of this picture based on all the praise for the film. That is not to say that I didn't like it, it was a fine time at the cinema (I was not at the cinema, I was at home). I can't say that I should have expected more, as I'm not entirely that big of a fan of Howard Hawks. Even his best film (to me), " The Big Sleep " is arguably one of the weaker film noirs that I've seen. " Rio Bravo " is a film that apparently is a response to 1952's " High Noon ," which was an allegory about Hollywood's blacklisting and McCarthyism. Howard Hawks and John Wayne felt the film was anti-American and instead made " Rio Bravo " to broadcast an alternative perspective in which the hero of the story doesn't shy away from justice. I personally ha...
Read more

King Kong (1933)

Image
  Merian C. Cooper & Ernest B. Schoedsack's "King Kong" There are many post-Depression American 'box office' films that I have seen in my film studies journey. Most of these post-Depression box office films don't typically sit right with me. The films I have in mind are the gangster and monster films that swept the nation in the early 1930s. These films typically were meant to placate an anxious American audience. However, the depth to their thematic intricacies leave something to be desired. Even without this depth, the 'entertainment' aspect of these films were not very entertaining to me. However, there is one film that utterly surprised me, 1933's adventure epic " King Kong ."   The story is well-known. A group of filmmakers travel to a remote island to take advantage of strange and interesting natural wildlife unknown to the outside world. There they meet an indigenous people, all terrified of a large, monstrous primate living on...
Read more

The Big Sleep (1946)

Image
  Howard Hawks' "The Big Sleep" After watching Howard Hawks' 1946 film noir " The Big Sleep ," I have to say that it is not one of my favorite film noirs. That being said, it was definitely the best Howard Hawks film I've seen thus far. It did not have the typical dark ending that permeates the whole film with bleak darkness, which probably made it a lesser noir for me. In fact, it felt more like a 'studio noir,' if that makes sense. I'm not going to go into the entire plot of the film, especially because the entire plot is incredibly convoluted. In fact, this was a major strike against the film at the time of its release. Many reported that they could not keep up with what was happening. I've got to say that, for myself, this was the case as well. I found myself having to rewind to figure out what exactly I missed or who was who. However, upon reflection, the convoluted plot may only add to the feverish intoxication of the film.  Because...
Read more