The Devil, Probably (1977)

 Robert Bresson's "The Devil, Probably"


As Robert Bresson grew in age, he only got more and more 'Bressionian.' His characters became far less emotive and his films felt more and more clinical and cold. It became necessary as he continued his complex themes regarding the malaise of our modern world. His 1977 film "The Devil, Probably" most directly taps into that notion.

The film centers on Charles, a disillusioned student living in Paris. He is detached from society and struggles with a growing sense of alienation. The friend group around him does not understand his turmoil and try various methods to get him out of it. His depressive and detached manner extends from his growing hopelessness in the modern world. 

Although I do not particularly think it is one of Bresson's best works, there is something quietly shattering about "The Devil, Probably." It seems as timely now in 2026 as it most likely felt in 1977. The state of the world continues to slide into disarray and the state of mental well-being falls equally with its descension. There is a certain hopeless quality to the film that will stay with you longer after its over.



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